Friday, June 21, 2013

Coming Soon: Digital Gaming Re-imagines the Middle Ages

One last post for the night:

Digital Gaming Re-imagines the Middle Ages 
Edited by Daniel T. Kline 

Series: Routledge Studies in New Media and Cyberculture

To Be Published July 22nd 2013 by Routledge

Hardback: $125.00 978-0-415-63091-7
Available for pre-order

Digital gaming’s cultural significance is often minimized much in the same way that the Middle Ages are discounted as the backward and childish precursor to the modern period. Digital Gaming Reimagines the Middle Ages challenges both perceptions by examining how the Middle Ages have persisted into the contemporary world via digital games as well as analyzing how digital gaming translates, adapts, and remediates medieval stories, themes, characters, and tropes in interactive electronic environments. At the same time, the Middle Ages are reinterpreted according to contemporary concerns and conflicts, in all their complexity. Rather than a distinct time in the past, the Middle Ages form a space in which theory and narrative, gaming and textuality, identity and society are remediated and reimagined. Together, the essays demonstrate that while having its roots firmly in narrative traditions, neomedieval gaming—where neomedievalism no longer negotiates with any reality beyond itself and other medievalisms—creates cultural palimpsests, multiply-layered trans-temporal artifacts. Digital Gaming Re-imagines the Middle Ages demonstrates that the medieval is more than just a stockpile of historically static facts but is a living, subversive presence in contemporary culture.

Introduction: "All Your History Are Belong to Us": Digital Gaming Re-imagines the Middle Ages
Daniel T. Kline

Part 1: Prehistory of Medieval Gaming

1. The Right to Dream of the Middle Ages: Simulating the Medieval in Tabletop RPGs
William J. White

Part 2: Gaming Re-imagines Medieval Traditions

2. "Best and Only Bulwark": How Epic Narrative Redeems Beowulf the Game
Candace Barrington and Timothy English

3. Systematizing Culture in Medievalism: Geography, Dynasty, Culture, and Imperialism in Crusader Kings: Deus Vult 
Jason Pitruzzello

4. The Portrayal of Medieval Warfare in Medieval: Total War and Medieval 2: Total War
Greg Fedorenko

5. Gabriel Knight: A Twentieth-Century Chivalric Romance Hero
Angela Tenga

Part 3: Case Study 1 – World of Warcraft

6. Coloring Tension: Medieval and Contemporary Concepts in Classifying and Using Digital Objects in World of Warcraft 
Elysse T. Meredith

7. Sir Thomas Malory and the Death Knights of New Avalon: Imagining Medieval Identities in World of Warcraft 
Kristen Noone and Jennifer Kavetsky

8. Accumulating Histories: A Social Practice Approach to Medievalism in High Fantasy MMORPGs
Jennifer C. Stone, Peter Kudenov, and Teresa Combs

9. "Awesome Cleavage": The Genred Body in World of Warcraft 
Kim Wilkins

Part 4: Case Study 2 – Dante's Inferno, The Game

10. The Game's Two Bodies, or the Fate of Figura in Dante's Inferno 
 Bruno Lessard

11. Courtly e-Violence, Digital Play: Adapting Medieval Courtly Masculinities in Dante’s Inferno 
Oliver Chadwick

12. Shades of Dante: Virtual Bodies in Dante's Inferno 
Timothy J. Welsh and John T. Sebastian

13. The Middle Ages in the Depths of Hell: Pedagogical Possibility and the Past in Dante's Inferno 
Angela Jane Weisl and Kevin J. Stevens

Part 5: Theoretical and Representational Issues in Medieval Gaming

14. We Will Travel by Map: Maps as Narrative Spaces in Videogames and Medieval Texts
Thomas Rowland

15. Author, Text, and Medievalism in The Elder Scrolls 
Michelle DiPietro

16. Technophilia and Technophobia in Online Medieval Fantasy Games
Nick Webber

17. The Consolation of Paranoia: Conspiracy, Epistemology, and the Templars in Assassin's Creed, Deus Ex, and Dragon Age 
Harry J. Brown

Part 6: Sociality and Social Media in Medieval Gaming

18. Casual Medieval Games, Interactivity, and Social Play in Social Network and Mobile Applications
Serina Patterson

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