Here is the information on our session:
New Visits to Camelot: Reflecting on the Contemporary Matter
of Britain on Screen (Roundtable)
Session sponsored by the Association for the Advancement of
Scholarship and Teaching of the Medieval in Popular Culture for the Medieval
& Renaissance Area of the Mid-Atlantic Popular/American Culture Association
Organizer/Presider: Michael A. Torregrossa (Independent
Scholar)
Guy Ritchie and Michael Bay (Oh My): The Challenges of
Contemporary Visions of Camelot on Screen
Michael A. Torregrossa (Independent Scholar)
Michael A. Torregrossa is a
medievalist whose research interests include adaptation, Arthuriana, comics and
comic art, medievalism, monsters, and wizards. His published work includes
essays on both Merlin and Mordred on film as well as entries on television in recent
supplements to the Arthurian Encyclopedia.
Michael is also founder of both The Alliance for the Promotion of Research on
the Matter of Britain and The Association for the Advancement of Scholarship
and Teaching of the Medieval in Popular Culture and serves as Fantastic Area
Chair for the Northeast Popular Culture/American Culture Association.
Othering Pagan Archetypes: Reimaginings of Merlin and Morgan
le Fay
Rachael Warmington (Indiana University of Pennsylvania)
Rachael Warmington is a doctoral
candidate at Indiana University of Pennsylvania. She earned her B.A. in English
from Montclair State University, M.A. in English from Seton Hall University,
and her MFA at City College of New York, City University of New York. Rachael
is also the editor-in-chief of the open source academic journal Watchung Review. Her current research
focuses on the ways in which early regional and generational variations of
Arthurian legend influence contemporary literary, film and television
adaptations and appropriations of Arthurian works.
Round Table Revival: The
Order: 1886
Carl Sell (Indiana University of Pennsylvania)
Carl Sell is PhD candidate at
Indiana University of Pennsylvania. He is interested in all things medieval and
Early Modern, and his studies focus on the Arthurian Legend and modern
adaptations of the legend as well as adaptations of Robin Hood.
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