This seems of potential relevance:
CfP: The Sound of the Past
https://call-for-papers.sas.upenn.edu/cfp/2019/09/20/cfp-the-sound-of-the-past
deadline for submissions: January 1, 2020
full name / name of organization: Journal of Historical Fictions
contact email: mail@historicalfictionsjournal.org
CfP: The Sound of the Past
What is the role of sound in historical fictions? How can we try to replicate what the world sounded like in the past? What is the role of music in period dramas? Why are contemporary musicals with historical settings so popular? How can sound be described in historical novels?
The Journal of Historical Fictions is looking for papers on any aspect of “sound”, broadly defined (music, mechanical sounds, songs that tell a historical narrative, voices, etc.) for a special issue on sound in historical fictions, ‘The Sound of the Past’. Please send completed articles of 6,000-8,000 words to mail@historicalfictionsjournal.org by 1 January 2020 (see our submission guidelines here: http://historicalfictionsjournal.org/submit.html).
We also have a rolling deadline for articles that relate directly to research and teaching questions on historical fictions of any kind, from all scholarly disciplines, and we welcome spontaneous submissions.
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Dr Juliette Harrisson
Editor
Journal of Historical Fictions
Follow us on Twitter @JournalHistFics
Last updated September 23, 2019
This CFP has been viewed 409 times.
Sponsored by The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, the Medieval Studies on Screen blog (formerly Medieval Studies at the Movies) supplements an earlier discussion list and is intended as a gateway to representations of the medieval on film, television, computers, and portable electronic devices.
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