Sorry to have missed this:
Kozintsev’s Shakespeare Films: Russian Political Protest in Hamlet and King Lear
https://mcfarlandbooks.com/product/kozintsevs-shakespeare-films/
Tiffany Ann Conroy Moore
McFarland
Price: $40.00
Print ISBN: 978-0-7864-7135-5
Ebook ISBN: 978-1-4766-0028-4
9 photos, notes, bibliography, index
202pp. softcover (6 x 9) 2012
Available for immediate shipment
About the Book
This book is a study of Grigory Kozintsev’s two cinematic Shakespeare adaptations, Hamlet (Gamlet, 1964), and King Lear (Korol Lir, 1970). The films are considered in relation to the historical, artistic and cultural contexts in which they appear, and in relation to the contributions of Dmitri Shostakovich, who wrote the films’ scores; and Boris Pasternak, whose translations Kozintsev used. The films are analyzed respective to their place in the translation and performance history of Hamlet and King Lear from their first appearances in Tsarist Russian arts and letters. In particular, this study is concerned with the ways in which these plays have been used as a means to critique the government and the country’s problems in an age in which official censorship was commonplace. Kozintsev’s films (as well as his theatrical productions of Hamlet and Lear) continue along this trajectory of protest by providing a vehicle for him and his collaborators to address the oppression, violence and corruption of Soviet society. It was just this sort of covert political protest that finally effected the dissolution and fall of the USSR.
Table of Contents
Acknowledgments viii
Preface 1
Introduction 3
1. Kozintsev’s Contexts 1: Hamlet in Russia in the 18th and 19th Centuries 25
2. Kozintsev’s Contexts 2: Soviet Hamlets from the Revolution until after Stalin’s Death 52
3. Hamlet in the "Thaw" and Kozintsev’s 1964 Film Adaptation 74
4. Kozintsev’s Contexts 3: Russian and Soviet King Lears from the 18th Century through World War II 106
5. King Lear Revisited in the Brezhnev Era: Kozintsev’s 1970 Film Adaptation 136
Epilogue 179
Chapter Notes 182
Bibliography 185
Index 193
About the Author
Tiffany Ann Conroy Moore teaches writing, literature, film and public speaking at several colleges in Southern New Hampshire.
[link updated 25 June 2018]
Sponsored by The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, the Medieval Studies on Screen blog (formerly Medieval Studies at the Movies) supplements an earlier discussion list and is intended as a gateway to representations of the medieval on film, television, computers, and portable electronic devices.
Wednesday, July 31, 2013
Kozintsev’s Shakespeare Films by Tiffany Ann Conroy Moore
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
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Labels:
Adaptation,
Drama to Screen,
Early Modern Era,
Film,
Medieval on Film,
New/Recent Scholarship,
Shakespeare on Screen
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